| -Mystic and Magic-
         
          | My contribution is to be divided into two sections, each centered 
              around a spectacular event.
 
 
 |    SEANCE: The first event is a séance held in the gallery/gallery, to commune with 
        the specters of the past in order to decode and predict the future. The 
        séance originated in the spiritualist movement at the end of the nineteenth 
        century in the United States, but its popularity spread quickly overseas 
        to Europe. Spiritualism centers around the belief that the dead survive 
        in a spirit world comparable to our own and communicate with us in séances 
        via spiritual mediums – people gifted with the ability to pick up spirit 
        vibrations.
 Various avant-garde projects of the early 20th century found inspiration 
        in Theosophical and Spiritualist movements (see for example Mondrian, 
        Malevich, Kandinsky, (Klein?), (Beuys?), surrealism). This section is 
        the mystical portion of the drama.
 
 
 
 
         
          | Spirit Rap
 
 The spirit drumming penetrates
 Your innermost cerebral statees
 You plead with him to let you go
 The ghost taps out ñ two times for ënoí.
 Persuaded to remove your bra
 Spirit knockers ñ Ooh la la!
 The spirit has you in a fog
 Tap two times for ‘What’s up, dog!’
 Rhythm has you by the gills
 Radio and all its ills
 Possessed by the ghostly foe
 Once for ëyes’ ñ twice for ënoí.
 Don’t listen to the spirit rhythms
 If you like to make decisions.
 
 
 |    
 ESCAPE: Section two is to be an escape act and exposé. The great escape artist 
        Harry Houdini was also a well-known critic of the spiritualist movement, 
        traveling the world to give lectures on the subject and to expose the 
        methods of fraudulent mediums. Houdini learned some of his own tricks 
        from spiritualists, but he made a distinction between magic, sleight of 
        hand as a form of entertainment, and spiritualism, intended to manipulate 
        the fears and emotions of people for the profit of the medium. In the 
        dramatic field, Houdini represents a popular entertainer attempting to 
        challenge the manipulative qualities of the spectacle. In this respect, 
        Houdini resembles Brecht.  The escape will be performed in the museum/gallery. This is the section 
        on Magic. 
 
 
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